It’s been over a year since I was invited to be Artist in Residence for the Woolaway Reminiscence Project. Since my last blog post I’ve been busy reviewing all of the photographs I’ve taken for the project and relistening to hours of audio recorded in people’s homes, recounting their memories. I’ve created two large collages, pictured here, which represent decades of lives lived in the area, snippets of conversations, photographs of people’s homes and cyanotype prints of plants from gardens and streets. A cyanotype is a cameraless printing technique created using sunlight and a natural plant stencil. The plants represent trees and flowers present in the area in 2020, as a botanical commemoration before the area changes.
Some handwritten text can also be found in the collages, collected through an open invitation to all residents in the project area to share their memories. The collages are styled to have a scrapbook feel, referencing the idea of reminiscing and the popularity of scrapbooks and albums to archive family life in the 1950s (the era of the Woolaway homes).
The ‘making of’ the final collages
The final collages took many forms over the final months of the project. The production stage was from September to October. In progress images were shared with the council team and feedback incorporated into the final works. I wanted to include representations of each resident who agreed to help me with the project and all residents were asked to sign image sharing agreement paperwork. Here is a ‘behind the scenes’ glimpse into my initial ideas for the final pieces.
I started by listening to the audio stories again and picking out shorter sentences. I also honed down a year of visits into 23 photographs and 10 cyanotypes. I printed these out in a small collaged maquette to play around with layout. I used an old typewriter I have at home for this original collage. I liked the aesthetic so chose to use a typewriter font in the final works, evoking the 1950’s.
A final phone call
Back in August, just after my final visit to the area which I documented on my last blog post, I had a request from a resident to contribute to this project via a phone interview. This resident grew up in a house on Durham Place and later lived in a house on Cambridge Terrace to raise her own family. The resident wishes to remain anonymous but I’d like to recount some of her memories on this blog post. Additionally, one of her quotes from this conversation was included in one of the final collages: ‘When we were children growing up in Durham Place, we were allowed to play in Lyngford Lane and we would make dens in the wood. We’d take blankets, pegs, Corona, sandwiches, and we would be there all day.’
She told many stories of playing in the area, including a rope swing off Lyngford Lane. At the end of the lane lived a man who kept bees and had many hives. One day the bees escaped and took up home in this resident’s lilac tree. The beekeeper came ‘suited and booted’ to rescue the bees, when one went up his sleeve and he ‘was dancing around the garden like a madman, it was quite hilarious. If we’d have had a video camera Jeremy Beadle would have liked it!’. Many memories such as this are only passed on through oral history. One last story I’d like to log was one of my favourites from circa 1970’s: ‘Please don’t think I’m a fruitloop. I remember one evening when I was a girl, I heard a strange noise about 7 o’clock in the evening. My parents were alarmed and started peering out of our back windows. We heard the noise was coming from the field (where Selworthy School is now). My Dad went out to have a look down the lane and met the owner of the fish and chip shop who reported seeing a bright light, humming sound and then something shot up into the air.’ Many residents spoke of this as the ‘UFO sighting’ and parents used to say ‘beware of the aliens down the lane’ as a way to keep the children from staying out too late. It seems to have become a bit of modern folklore. Apparently UFO sightings were very popular nationally in the 1970s.
Farewell for now
The two final artworks have been carefully packaged and I delivered the finished works to 27 Rochester Road earlier this month. They’ll be stored here for a few months. Once the new Community Space is finished, they’ll be displayed there.
It was a privilege to be invited into people’s homes to reminisce about their lives in the area. A subject that came up many times was the idea of putting down roots. Many residents have lived in their homes for decades, neighbours become good friends and a support network is built. Generations stay in the area and roots of family and friendship grow deep. I hope that the final two collages give a taste of life in the Woolaway homes. This blog will remain online, acting as an archive for the project. Once the new Community Space is built and ready to open, I look forward to returning to have a little opening tea party to reveal the final works on the wall. It will be a chance to catch up with the residents I’ve met over the project and see how the area has changed.
Thank you to everyone who has helped me with this project: the residents, Angela Bolitho (SWT), the North Taunton Woolaway council team, the team at Somerset Art Works, Priorswood Community Centre and Priorswood History Group.
Carolyn Lefley
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